As an art-form the opera has frequently been criticised as an absurdity, and it is doubtless owing to such a conviction that many people are equally indifferent to the language employed and the sentiments embodied in the words. Even so serious a writer as George Hogarth does not hesitate in his "Memoirs of the Opera" to defend this careless attitude.🏁
| # | Player | Time | Duration | Accuracy | WPM | pp | ||
|---|---|---|---|---|---|---|---|---|
| 1 | ||||||||
| 2 | ||||||||
| 3 | ||||||||
| 4 | ||||||||
| 5 | ||||||||
| 6 | ||||||||
| 7 | ||||||||
| 8 | ||||||||
| 9 | ||||||||
| 10 |
As an art-form the opera has frequently been criticised as an absurdity, and it is doubtless owing to such a conviction that many people are equally indifferent to the language employed and the sentiments embodied in the words. Even so serious a writer as George Hogarth does not hesitate in his "Memoirs of the Opera" to defend this careless attitude.🏁